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In 1949, Life magazine asked: “Is Jackson Pollock, the greatest American Painter. He is a figure that is polarising among art aficionados. Some see him as a fraud, others as a genius.

In Part One of my film I look at how, post World War Two, the art scene shifted from Paris to New York. How America was searching for "The Great American painter", and why he is so loved and hated at the same time. I look at just what Abstract Expressionism means, how we can "read it", and I look at the myths surrounding Pollock and modern art itself. I also look at his influences ranging from Mexican sand Painting, to the Regionalist art movement, to Picasso and the modernists.

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I would like to thank all my Patreon supporters, in particular Alan Stewart, Alexander Velser, Alyssa Phillips, AMSN, Anja Zeutschel, Bria Nicole Art, David Asabreu, Christa Sawyer, Eric Mann, Erique K, Francis Song, Griffin Evans, Hugo Moita, Jemma Theivendran, John Baer, Jon Hanzen, Julio Cardenas, Karim Hopper, Kibibi Shaw, Louise Tait, Monte St Johns, New Curiosity, Paul Ark, Paul Waterman, Sagar Saxena, Sean Welgemoed, Stefan Paisson, Stephen Beresford, Tanya Moore, Theresa Garfink, Toni Ko, Tyler Wittreich, and Will Dew's-Power.

"What a brilliant series this is" - Stephen Fry on Twitter (X)

CREDITS Script co-written by Laura Beardsell-Moore Opening Animation and Title Sequence by Brian Adsit (instagram https://instagram.com/brian_vfx?utm_m... and Behance www.behance.com/badsit88) Recording by Robert Lewis

VIDEOS All the videos, songs, images, and graphics used in the video belong to their respective owners and I or this channel do not claim any right over them. MUSIC BOOKS Pollock by Leonhard Emmerling
Jackson Pollock by Deborah Solomon Jackson Pollock by Steven Naifeh, Gregory White Smith

Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.