Part 3/3 - Some creative people feel of sadness, anxiety, depression, even Imposter Syndrome. Is there a link between art and sadness, or even mental illness? Is it something in the brain? In the heart? Something to do with Marxist economics and capitalism?
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Sources for this Episode: Lorraine Gramman & Maziar Raein, “Reviewing the Art of Crime: What, if Anything, Do Criminals and Artists/Designers Have in Common?” in The Dark Side of Creativity Pauline Clance and Suzanne Imes, “The Imposter Phenomenon in High-Achieving Women: Dynamics and Therapeutic Intervention,” in Psychotherapy Theory, Research and Practice David Bayles and Ted Orland, Art and Fear Ian McGilChrist, The Master and His Emissary Karl Marx, Das Kapital and The Paris Manuscripts
Sources for the Series:
Alan Hájek, “Philosophical Heuristics and Philosophical Creativity,” in Philosophy of Creativity: New Essays Berys Gaut, “The Philosophy of Creativity,” in Philosophy Compass and “The Value of Imaginativeness,” in Australian Journal of Philosophy David Bayles and Ted Orland, Art and Fear David Cropley, James Kaufman, and Arthur Cropley, “Malevolent Creativity: A Functional Model of Creativity in Terrorism & Crime,” in Creativity Research Journal David Ecker, “The Artistic Process as Qualitative Problem Solving,” in Journal of Aesthetics and Art Criticism Dustin Stokes, “The Role of Imagination in Creativity,” in Philosophy of Creativity: New Essays Henri Poincaré, “Mathematical Creation” in Creativity Ian McGilchrist, The Master and His Emissary Immanuel Kant, Critique of the Power of Judgement Karl Marx, Paris Manuscripts & Das Kapital Leonardo Da Vinci, Treatise on Painting Lorraine Gramman & Maziar Raein, “Reviewing the Art of Crime: What, if Anything, Do Criminals and Artists/Designers Have in Common?” in The Dark Side of Creativity Margaret Boden, “Creativity,” in The Routledge Companion to Aesthetics and The Creative Mind Nancy Nersissian, “The Cognitive Basis of Model-Based Reasoning Practices: Mental Modelling,” in Creating Scientific Concepts Pauline Clance and Suzanne Imes, “The Imposter Phenomenon in High-Achieving Women: Dynamics and Therapeutic Intervention,” in Psychotherapy Theory, Research and Practice Peter Carruthers, “The Creative Action Theory of Creativity,” in The Innate Mind Plato, Ion R.G. Collingwood, The Principles of Art Robert Weisberg, “Creativity and Knowledge: A Challenge to Theories,” in Handbook of Creativity and Creativity Roy Baumerster, Brandon Scheneichel, and C. Nathan DeWall, “Creativity and Consciousness: Evidence from Psychology Experiments,” in Philosophy of Creativity: New Essays Sigmund Freud, “Creative Writers and Day-Dreaming,” in The Philosophy of Art: Readings Ancient and Modern Teresa Amabile, Creativity in Context
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